Collectible
Project Description
In our consumer-oriented,
mobile, and rootless
society, we are supposed to believe we are what we own. With few
ties to the past, collecting becomes one way of building a
history.
It helps us define who we are and helps us to fit into our world.
Collecting then is about individuality and belonging. What else
might
collecting be about? What are the impulses that drive
collectors?
Is it about comfort and security? Is it about power and
status?
Is it about capture and possession? Is it about creating a sense
of identity? Is it about systems and classification? How
has
the Internet extended the realm of what collecting can be? When
does
the mania of collecting undo the ordering of an archive? Where do
obsession and collecting meet? These questions and thoughts drive
this body of work.
As a child, I collected post
cards, stamps,
and pins. Long ago these were thrown away, but my interest in
collecting
remains. I see collecting as one of the imaginative ways that
people
attempt to make sense out of a world that isn’t always very
sensible.
As a video artist, I’m interested in documenting diverse styles and
modes
of collecting.
The project,
Collectible,
is a series
of short documentaries, a group of vignettes linked together, that
investigate
collecting, obsession, and archiving. Each vignette will focus on
one collector and together the series of shorts will become a
collection
on collecting. We’ve chosen to highlight unusual, small
collections
that often go unnoticed. As a whole, this work looks at the
diverse
ways that people gather, classify, and categorize their
collections.
Specifically, the series explores idiosyncratic systems of ordering and
questions what these systems say about our contemporary situation.